A monument of tradition that goes beyond the limits of time... A tradition that bypasses commercialism, Hotel Amarpreet where courtesy is the password and caring in the system...With us your stay becomes an experience... An experience of lifetime...
Sight Seeing:
AJANTA
In contrast to the Hinayana excavations at Ajanta, which are virtually devoid of carvings, are the ornate sculptures of the Mahayana period. These carvings are remarkable for their classic qualities and display a graceful elegance, restraint and serenity. The sculptural themes, mostly related to the life of the Buddha and the Buddhist divinities, are adorned with decorative columns and medallions. In the shrines are huge figures of the Buddha in the meditation and teaching pose. Their benign expression and grace of form evoke a sense of awe and reverence.
The paintings in the caves enthrall the spectator with their rich beauty, expressiveness, radiant color schemes, balanced composition and fine shading which highlight the delicate artistry and idealized physical features. The color scale of the paintings is extremely simple, there being only red, blue, yellow ochre and lamp black.
ELLORA
The ancient village of Ellora, known for centuries to the world as verul, featured prominently in the travelogues of Arab and European travelers, as it lay at the crossroads of ancient trade routes.
Tucked away in the lap of a crescent-shaped hill, the caves of Ellora have been carved, in a north-south line, looking across the vast Deccan plain. The Ellora caves comprise the Buddhist caves: Nos. 1-12. from the 5th century to the 7th century AD; the Hindu caves : Nos. 13-29, from the 8th to 9th century AD ; and, the Jain caves: Nos. 30-34 from the 9th century to the 11th century AD.
